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<title><![CDATA[Huddle: Main Huddle]]></title>
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<description><![CDATA[This is the main huddle for members to introduce themselves.]]></description>
<pubDate>Mon, 10 Aug 2026 03:09:08 -0400</pubDate>
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<title><![CDATA[Post: We must have our own!]]></title>
<link>https://www.blaqsbi.com/ZMZ</link>
<description><![CDATA[  We're the only people who don't desire to have our own. Our own is not something that black people care much about. It comes from this radical color blind mentality. It comes from this radical, dysfunctional, religious mania that we practice where God don't see color and God loves everybody. And that's all fine. If God loves everybody, but everybody don't love black people. And that's the part that we're missing. We're the only group in America who does not desire to have its own. And even when we have the opportunity to partake in our own, we still rather go to a non-black establishment, right? In Atlanta, with all the black restaurants, you still got black people who would rather go eat at a white restaurant. You still got black students who would rather go to one of the white universities. You still got black women who would rather go to the Asian Nell Parlor than a black one. You see that? And the only way we break the curse of self-hatred and internal self-savotage is we have to raise, train, groom, educate, and indoctrinate the next generation of black children.
The video shows an interior view of a church or auditorium with a man standing at the front, speaking into a microphone. He appears to be addressing a group of people who are seated on pews in the foreground. In the background, there is a sign visible that says "BLACK KRISTIANITY" which likely refers to a specific religious affiliation or denomination. The man is making a gesture with his left hand raised, possibly emphasizing his point during his speech. The context provided by the transcription suggests a discussion about black pride and empowerment, implying that black people should strive for self-improvement and support independent businesses and institutions within their own communities to overcome perceived systemic issues such as discrimination or lack of representation. The man is expressing a call to action for community upliftment and the importance of fostering a sense of pride among black individuals in order to counteract self-hatred and internalized oppression. ]]></description>
<pubDate>Thu, 16 Jul 2026 08:23:44 -0400</pubDate>
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<title><![CDATA[Post: We still,rise.]]></title>
<link>https://www.blaqsbi.com/ZMY</link>
<description><![CDATA[  Why is it every time Black people build real power? Somebody shows up to destroy it. No, seriously, I asked that question out loud. They love saying, pull yourself up by your bootstraps. But they never mentioned what happened when we actually did. Black Wall Street in Tulsa. Built wealth. Built businesses. Built independence. Then it was burned up. Rosewood, Florida. A thriving town. White Thou. Seneca, Village in New York. A Black community displaced to build Central Park. Overtown in Miami. One's called the Harlem of the South. Got it by highways. And then look at the leaders. Malcolm X. Killed Martin Luther King Jr. Killed Fred Hampton. Killed Medgar Evers. Killed. Now I'm not saying every story is identical. I'm saying the pattern is impossible to ignore. When Black people build wealth. Destroyed when Black people built leadership. Targeted. When Black people build communities. Destroyed when Black people demanded power. Labeled dangerous. But today the same people look at the damage and say, stop being a victim. Don't pull a race car. Just work harder. But here's the part they miss. We kept building. Anyway, we rose after slavery. We built after Jim Crow. We're still here. Still creating. Still moving. Still innovating. So why is it every time Black people build wealth? Somebody shows up to destroy it. The problem was never that we couldn't pull ourselves up. It was organized sabotage. With a sprig of none. I see you. But we never let that stop us then. So let's not stop now.
The video is a videograph or an advertisement for a book, film, or event related to a topic involving a person named "Justin Tuckman." The text on the video conveys a message about historical injustices faced by Black communities and the challenges they have overcome despite the systemic barriers. It references specific events such as the destruction of Tulsa's Black Wall Street, the thriving town of Rosewood in Florida, Malcolm X, Martin Luther King Jr., and Fred Hampton. The text emphasizes that when Black people have built wealth and communities, they have faced opposition or sabotage, and it is a call to continue building despite past and present challenges. The video features a person sitting at a microphone, presumably the speaker or author, holding up his hand in emphasis with the phrase "The Problem Was Never That We Couldn't Pull Ourselves Up." ]]></description>
<pubDate>Thu, 16 Jul 2026 08:14:14 -0400</pubDate>
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<title><![CDATA[Post: We must have our own!]]></title>
<link>https://www.blaqsbi.com/ZMX</link>
<description><![CDATA[  Jay-Z is the richest musician in the world, $2.5 billion empire. If Jay-Z gets sick, he goes to a white hospital. A homeless black man on the streets of Atlanta has nowhere to live, nowhere to sleep. He gets sick, he goes to a white hospital. LeBron James is a billionaire. When he needs groceries for his family, he goes to a white supermarket. When I need groceries for my family, I go to a white supermarket. I want you to see how from the richest black in America to the poorest black in America, we are all still dependent on white institutions and systems. Think about that. Even the rich blacks haven't come together to create a rich infrastructure, even if it's just for them, right? Let's say LeBron, Jay-Z, Oprah, Rihanna, Venus, Tiger Woods, they all get together to say, listen for us and our kids. We gonna create a black wall street, a small one just for us. They haven't even done that. They are at mercy as much as we are for white people, systems, and institutions and immigrants. The rich black person is no more independent than the poorest black person. And that's why I say, racism burns class in America. Jay-Z might belong to another class, but he's in the same race. And that's why he's stuck with the same institutions. Class don't matter when you black, because this is not a class system when you're black. It's a caste system. C-A-S-T-E, racism first, capitalism second.
The video shows an individual sitting in front of a microphone with a sign that says "WHITE SUPERMARKET" on the top and a text overlay that reads "For them when he needs groceries for his family I go to a white supermarket." Below the person is another piece of text stating "A CLASS SYSTEM WHEN YOU'RE BLACK. IT'S A CASTE SYSTEM." The message is likely intended to be a commentary on racial inequalities and social structures within communities, suggesting that even for those with significant wealth and influence, such as Jay-Z, systemic racism still impacts the day-to-day lives of black individuals. ]]></description>
<pubDate>Thu, 16 Jul 2026 07:59:35 -0400</pubDate>
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<title><![CDATA[Post: Support black-owned]]></title>
<link>https://www.blaqsbi.com/ZMk</link>
<description><![CDATA[  This is Atlantis' first black-owned farmers market. It's called Atlantis' harvest, and they have giant seeded watermelon for $10. They even have sour sauce. If y'all never had sour sauce before, you have to try it. It's good. That sour sauce is organically grown in Grenada. They have all types of fresh fruits and vegetables grown right on their farm. They also have lamb, beef, and fresh egg produced right from their farm. They even have fresh coconuts. In this heat, this is what you need. Oh my God. They produce their own honey. They have natural soaps, mushrooms, and even have a flower garden. What I love most is that they're creating jobs while serving the community. Comment below if you would visit this farm as market.
The video features a man standing in front of a colorful tent stall at what appears to be an outdoor farmers market or produce stand, holding a piece of watermelon up to his face and seemingly blowing it into a gourd with his mouth. The text overlay on the video suggests that this is "Atlantis' first black-owned farmers market," named 'Atlantis' Harvest, which has various items for sale such as vegetables like tomatoes, onions, and peppers, along with a selection of fruits including coconuts. The man seems to be enjoying the experience and is indicating that he appreciates the freshness and quality of the produce offered at this market. The text also suggests that the market supports organic and locally sourced products and creates jobs within the community. It's a positive representation of local commerce and sustainable farming practices. ]]></description>
<pubDate>Wed, 15 Jul 2026 11:21:03 -0400</pubDate>
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<title><![CDATA[Post: Economic freedom]]></title>
<link>https://www.blaqsbi.com/ZKs</link>
<description><![CDATA[  Did you know the Negro Leagues were secretly one of the most powerful black economic networks ever built in America? Most people think of it as a baseball story. It was so much more than that. By the 1940s, the Negro Leagues were moving like a traveling black economy. Team owners invested in each other's businesses. Black hotels in every host city built their entire customer base around the league's travel schedule. Black restaurants, barbers, and shops planned their whole year around when the teams were coming to town. Player salaries circulated through black communities in dozens of cities. Thousands of people who never played a single inning had jobs because of that league. Then 1947 came. Jackie Robinson crossed over. The country called it progress, and it was. But here is what nobody talks about. Within a decade, the Negro Leagues collapsed. Hundreds of millions in cooperative black wealth dissolved. Thousands of jobs disappeared. The integrated major leagues never replaced them. This is the hardest question in group economics. What do you give up when you integrate into someone else's system instead of strengthening your own?
The video depicts a videograph of two individuals in what appears to be a formal setting, possibly an office or library, with a large bookshelf behind them filled with various volumes. One person is holding a book and seems to be engaged in conversation or presenting something to the other individual. The text overlaid on the video suggests a reflection on historical economic dynamics and societal progress, particularly related to baseball and the integration of African Americans into mainstream sports leagues. The transcription references the Negro Leagues, which were indeed an important part of American history, providing opportunities for black players in a time when racial segregation was commonplace, and their impact on local economies. The video does not provide enough information to comment on any specifics related to "most powerful economic networks," although it hints at the broader historical context of African American achievements and challenges faced by the Negro Leagues during the mid-20th century. ]]></description>
<pubDate>Mon, 13 Jul 2026 07:21:44 -0400</pubDate>
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<title><![CDATA[Post: Greetings Blaqsbi Family,We’re extending Blaqsbi for another month, and I want to share why...]]></title>
<link>https://www.blaqsbi.com/ZD7</link>
<description><![CDATA[this moment matters. Blaqsbi was created as a space where our voices, our stories, and our sovereignty are protected. No racist algorithms, no data mining, no exploitation—just a platform built for us, by us, with dignity at the center.Keeping Blaqsbi online is not just about maintaining a platform. It’s about preserving a digital home where we can connect, build, learn, and empower one another without outside interference. Every month we keep this platform alive is another month we protect our independence and strengthen our collective future.As we move into this next month, we’re asking the community to stand with us. Your engagement, your presence, and your support—whether financial or simply spreading the word—helps ensure Blaqsbi remains a safe, sovereign space for all of us.If Blaqsbi has added value to your life, your voice, or your sense of community, we invite you to help us keep it going beyond this month. Together, we can make sure this platform continues to grow, evolve, and serve our people with purpose.Thank you for being part of this journey. Thank you for choosing sovereignty. Thank you for choosing us.With respect and appreciation,The Blaqsbi Team  The image is a graphic design with text overlaying it. At the top, there's text that reads "WE RECEIVED A SMALL INFUSION OF FUNDS ALLOWING US TO KEEP RUNNING FOR ANOTHER MONTH." Below this text, there's a large black circle on the right side of the image with a small white dot in it. The background is black and features white text at the bottom that says "BlackB1" in bold, capital letters. In the top left corner of the image, there's a smaller white text that states "we are receiving funds." The font used for the texts is sans-serif with varying sizes to emphasize different parts of the message. ]]></description>
<pubDate>Fri, 10 Jul 2026 11:50:56 -0400</pubDate>
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<title><![CDATA[Post: #NeverForget]]></title>
<link>https://www.blaqsbi.com/ZIH</link>
<description><![CDATA[  They bulldozed hundreds of black family homes and built central park on top of the ruins. 1825, New York City. Free black Americans started buying land on the west side of Manhattan. They were tired of being pushed to the margins downtown. One by one, families bought plots. They built homes. They started churches. They opened a school. By the 1850s, Seneca Village was a real community. About 225 to 300 people lived there. Two thirds were black. Many of them owned their own land. Something rare and powerful at the time. Owning property meant black men could vote. They had stability. They had roots. Then the city decided it wanted that land. In 1853, New York announced it would build America's first major public park. They chose the exact area where Seneca Village stood. They used eminent domain to take it. Residents were told they had to leave. Landowners received some money. Often far less than their property was worth. Renters received nothing. For two years, the people of Seneca Village fought it in court. They lost every time. In 1857, the city moved in. Homes were torn down. Churches were destroyed. The school was gone. The cemeteries were dug up. Everything the community had built over 30 years was erased. Central park rose in its place. Today, millions of people walk through that park. They have no idea they are walking over the ruins of Seneca Village. There are almost no markers. No monuments. No trace of the black families who once owned that land. New York didn't just take their homes. It took their history. And for over 150 years, it pretended Seneca Village never existed.
This video depicts a scene from a movie set in a historical period, likely representing an era when racial tensions were high between black and white communities in the United States. The videograph captures a moment where two men are engaged in a discussion or negotiation over what appears to be a piece of paper or a document, which is held by one man while he speaks with another who stands behind him. The setting suggests an old western town, with wooden buildings that are representative of the architecture of the period, and people dressed in period-appropriate attire. A sign in the background reads "Seneca Village," indicating the name of a real community established by Black families in Seneca Village, Manhattan in the 1820s. The text overlaid on the video provides historical context, highlighting the displacement and struggles faced by the black families who were pushed to the margins of the city and how their land was taken from them despite their ownership and contributions to the community. ]]></description>
<pubDate>Fri, 10 Jul 2026 08:18:06 -0400</pubDate>
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<title><![CDATA[Post:]]></title>
<link>https://www.blaqsbi.com/ZHO</link>
<description><![CDATA[  Nobody wants them Africans in their country till it's time to play football till it's time for the world cup. Negative nature eat the motherfuckers like Pokemon. And Bob-Pay, I choose you! It's crazy the things you must do for the world to choose you as an African. And Bob-Pay's mother is from Algeria. France killed over a million people in Algeria 100 years ago. And it turned around to put a jersey on him. Pfft! I always think about the African man who had to scale a burning building to save a child in order to be granted citizenship in France. You gotta be spider-man to get paperwork. Or the meddy did drown in the Mediterranean Sea trying to get to Europe. It'd be fishing them @#$@#s out the ocean putting them on a sock of feet. Damn, that's dark. Now I want asylum seekers. They want left wings, strikers and midfielders. The world cup be like, I put 10 of my best Africans against 10 of yours. Let's see who come out on top. But like, do those Africans have equal rights in your country? Of course not. During the world cup? Absolutely. But 90 minutes. That's why in America the anti-DEI should is so comical because contrary to in-bred belief, you gotta be valedictorian class president, have 40-inch vertical and a rap career to have any position in society as a black person. Now the world cup is not just the European countries. You know Latin American countries, full of Africans. Columbia's Africans just kicked my Africans ass. It'll love my people, but damn. Mexico got a star African player. They be hiding the male-frohmacicists. I'll be meeting Mexican people that don't even know Afro-Mexicans exist. So it was Pokemon time. I choose you. I know it's my destiny. I'll choose you and you choose me. Pokemon. It's crazy the things you must do as an African for the world to choose you. It was very good.
In the video, there is a person standing outdoors in front of a tree, holding a large object that looks like a pineapple or similar fruit. The individual is wearing a white t-shirt with the word "DILL" printed across it, and they are giving what appears to be an expression of surprise or contemplation. The text overlay on the video reads, "Transcription: 'Nobody wants them Africans in their country till it's time to play football till it's time for the world cup. Negative nature eat the motherfuckers like Pokemon. And Bob-Pay, I choose you! It's crazy the things you must do for the world to choose you as an African. And Bob-Pay's mother is from Algeria. France killed over a million people in Algeria 100 years ago. And it turned around to put a jersey on him. Pfft! I always think about the African man who had to scale a burning building to save a child in order to be granted citizenship in France. You gotta be spider-man to get paperwork. Or the meddy did drown in the Mediterranean Sea trying to get to Europe. It'd be fishing them out of the ocean putting them on a sock of feet. Damn, that's dark.'"
The context provided by the text seems to express a complex and potentially offensive sentiment towards immigrants, suggesting that immigrants, particularly Africans, must do exceptional acts or meet certain criteria in order to be accepted or recognized within a different country. The statement appears to be a play on words involving the Pokémon franchise, which is likely intended to be humorous by combining elements of fantasy with real-world struggles faced by many immigrants.
The video does not depict an actual scene from the Pokémon universe; rather, it seems to be a creative or humorous representation of the idea that a person has chosen another individual for some unstated purpose, perhaps in a game or competition related to football (soccer). The overall tone of the text is lighthearted and contains exaggerated statements that are not reflective of real-world experiences but seem to be part of a joke or fantasy scenario.
Please note that the video does not depict a real event and should not be taken as a reflection of actual societal attitudes or conditions, as it appears to contain a humorous or satirical narrative rather than an accurate representation of real life situations. ]]></description>
<pubDate>Thu, 09 Jul 2026 10:53:13 -0400</pubDate>
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<title><![CDATA[Post: #BlackisBeautiful]]></title>
<link>https://www.blaqsbi.com/ZH1</link>
<description><![CDATA[  Black this, black that, black win, black how? I was black then and I'm black now. Black fist, black power, black pain, like black frame. See I would-
]]></description>
<pubDate>Wed, 08 Jul 2026 06:59:23 -0400</pubDate>
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</item>
<item>
<title><![CDATA[Post: #Amerikkka]]></title>
<link>https://www.blaqsbi.com/ZGZ</link>
<description><![CDATA[  Why don't you just go back to Africa? If you were to say, if you don't like America, go back to your own stupid country. First of all, I'm American. Second of all, Africa is a continent made up of different countries. And third of all, I would like to visit it someday. I plan to see the whole world. Hey, you! Hey, give it back! Try and get it from me. Stop it! Don't forget this one. Thank you, Lorraine. I'm telling my parents, I don't want to come here anymore. I don't care if a school in my neighborhood doesn't have enough books for everybody. I hate it here. Hey, Lorraine. Ugly? Ugly. Nice cry. What? Play dumb all you want. You're not getting away with this. But I wasn't doing anything. I was just touching it. And you would have just stuffed it in your bag if I hadn't caught you. That's not true. Mommy looked that color-cure with stealing. No, I wasn't. Mind your own business. I'm really sorry for the disturbance. I'll send someone else out to help you. I swear I wasn't stealing it. Did she get a gun of jail? I don't know and I don't care. Have you even picked something? I caught her in the act. It's not true, Mommy. I promise I wasn't going to feel anything. Mr. Shula, Melody has been coming with me to do inventory for years. She would never steal anything. Until she had the opportunity. There's another goal looking at dresses. Why didn't she accuse her of stealing? Because she wasn't stealing. Sir, my family depends on my income. Melody would never jeopardize my job. All right, all right, all right, all right. We have the dress. No harm done as far as I'm concerned. That's how you see it, sir. It is. You back out on the floor. Don't bring her here again. What are you doing? What do you mean? Exactly what I said. It's got to be hard feeling like you don't belong here because you're colored. Actually, I'm black. Just like your white. And I belong everywhere. You do. Let's go. I really hope you can come over when they play. Why the pledge of allegiance is a lie. It most certainly is not a lie. This country divides white people and black people all the time. Young lady, you will not continue to disrupt my class. Poor black girls were blown up in a church in Alabama. One was as old as me, and now she's dead. She's dead because no one wanted her to eat at a lunch counter. I don't want to eat lunch with you, either. Melody, Donald, Donald, one more word. You are going to be banging a racer's after school for a week. Melody, take your seat. Go ahead. I dare you. He's filled with hate. You are behaving like a delinquent. And you're not doing anything to make this country a better place for everybody. Take your seat this instant, or I will send you to the principal's office. The pledge of allegiance is a lie. You interrupted class saying what you did, but I know all too well what can happen to a black child who's labeled a disciplinary problem. Peanut, I don't want to see it. What happened to you? There's nothing more important than a good education. You need to learn all you can about everything that you can. This country may limit your freedom, but it can never limit your mind. The papa, the only other black girl in my school left. She was sick being where she was hated. I don't blame her. Tell me a baby. I don't want to go back to my school. I hated there. I understand why you're upset, but I worked really hard to get you into that school. It's the only way I can give you a good education. I want to go to school in Arneburg. Sweetheart, the school in Arneburg doesn't even have enough books for all the students. There aren't even enough desks to go around. What I'm learning at my school is that people hate me because of the color of my skin.
The video is a side-by-side split-screen video featuring two versions of a young person who appears to be the same girl in each part, with the left side showing her looking concerned or uncomfortable while someone points at her, and the right side showing her looking calm and composed as she points back. Above both sides, there's text that reads "And you would have just stuffed it in your bag if I didn't catch you," indicating a narrative of theft or taking something without permission. The text on the left side seems to express frustration and accusation, while the text on the right side offers a conciliatory explanation for why she did not steal, highlighting her desire to visit Arneburg. ]]></description>
<pubDate>Wed, 08 Jul 2026 06:32:16 -0400</pubDate>
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<title><![CDATA[Post: #BlackisBeautiful]]></title>
<link>https://www.blaqsbi.com/ZGY</link>
<description><![CDATA[  그만큼ください
The video shows a woman posing for a selfie in front of a building with a blurry background. She has long, dark hair styled into braids and is wearing a blue tie-dye top with a floral print. There's a red flower corsage on her left side. Her right hand is raised to her head, possibly adjusting her hairstyle or posing for the video. She wears a watch on her left wrist. In the background, there appears to be a blurred street scene with outdoor lighting, suggesting it might be evening or nighttime. The color of the sky is dark, and the lights from nearby buildings are visible, creating a bokeh effect that blurs the details behind the subject. Her pose and expression suggest she is in a casual, relaxed setting, possibly enjoying an outing or a break in her day. ]]></description>
<pubDate>Wed, 08 Jul 2026 06:22:00 -0400</pubDate>
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<title><![CDATA[Post: #NeverForget]]></title>
<link>https://www.blaqsbi.com/ZG9</link>
<description><![CDATA[  One in three people in Argentina was Black African. Today they're gone. This is how they were erased. 1810 Argentina was a Black country. 30% of Buenos Aires was African. In Slaved people, free artisans, mothers, soldiers, they built the city they created the tango but Argentina's white elite wanted a European country. So they made a plan to erase an entire people. And it worked. First, the wars. When Argentina fought Paraguay, they conscripted Black men first. Sent them to the front lines. Tens of thousands died. Then came 1871. Yellow fever swept through Buenos Aires. The white neighborhoods fled. The black neighborhoods were quarantined, locked in. Thousands died in their homes. Then, President Sarmiento made it official policy. He wrote that Argentina needed to whiten itself. He invited millions of European immigrants, gave them free land. Black survivors got nothing. Then came the cruelest blow. The census started reclassifying Black people as wheat-colored. With the stroke of a pen, they erased Black identity. Black history was edited out of textbooks. By 1900, the world believed Argentina had no Black population. The truth? They had been buried. conscripted, starved, renamed, erased. Today, 150,000 Afro-Argentines are fighting to be recognized again. The tango still belongs to them. The history still belongs to them.
The video is a videograph of four individuals in front of what appears to be an old European building with a rustic architectural style, possibly in Buenos Aires, Argentina. They are holding a video and are standing around a table covered with papers or documents. Above them, there's text overlaid on the video that reads: "One in three people in Argentina was Black. Today they're gone. This is how they were erased. 1810 Argentina was a Black country. 30% of Buenos Aires was African. In Slaved people, free artisans, mothers, soldiers, they built the city they created the tango but Argentina's white elite wanted a European country. So they made a plan to erase an entire people. And it worked. First, the wars. When Argentina fought Paraguay, they conscripted Black men first. Sent them to the front lines. Tens of thousands died. Then came 1871. Yellow fever swept through Buenos Aires. The white neighborhoods fled. The black neighborhoods were quarantined, locked in. Thousands died in their homes. Then, President Sarmiento made it official policy. He invited millions of European immigrants, gave them free land. Black survivors got nothing. Then came the cruelest blow. The census started reclassifying Black people as wheat-colored. With the stroke of a pen, they erased Black identity. Black history was edited out of textbooks. By 1900, the world believed Argentina had no Black population. The truth? They had been buried. conscripted, starved, renamed, erased."
The videograph is a historical depiction, likely referencing a moment in Argentine history, possibly during the time when the government attempted to suppress and erase evidence of the African population after slavery was abolished by making them appear less than 1% of the population. The video serves as an educational or informational graphic, highlighting a period of history that has been largely ignored or omitted from textbooks, focusing on the impact of colonialism and how historical narratives have erased certain groups' identities.
The people in the video are holding a videograph and seem to be discussing it. The scene is evocative of remembrance and an attempt to tell an untold story about the history of Argentina and its people, particularly those who have been marginalized. The text overlay provides context for the video, drawing attention to the erasure of black people from official records and society in the aftermath of slavery and racial purity initiatives during the late 19th century in Argentina. ]]></description>
<pubDate>Tue, 07 Jul 2026 12:25:18 -0400</pubDate>
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<title><![CDATA[Post: #BlackisBeautiful]]></title>
<link>https://www.blaqsbi.com/ZG7</link>
<description><![CDATA[  Your skin color is a mutation. Blackness is the original setting, and science proved it. Every human being on Earth started with dark skin. Every single one. Melanin, the pigment that makes skin dark, was the default. The original design built to protect the body from the sun. When humans migrated out of Africa into colder, darker climates, their bodies adapted. Less sun meant less need for melanin, so the skin got lighter, not an upgrade. A loss. Light skin is a reduction in melanin. That's not evolution forward. That's evolution stripping something away. They built a 500-year system around the idea that lighter skin meant superior. Science says the opposite. Melanin protects against UV radiation. Slows skin aging reduces the risk of skin cancer. The people with the most melanin have the most biological protection. The people with the least burn in 15 minutes, they called blackness primitive. Built slavery around it. Built colonialism around it. Built an entire world order around it. Then their own science looked them in the face and said, you were the mutation the whole time, not the original, not the standard, the adaptation.
The video shows a person with dark skin looking contemplative or pensive, wearing a lab coat with what appears to be a stethoscope around their neck, standing in an indoor setting that resembles a research or medical facility environment. In the background, there is a bright, sunny outdoor scene where another individual seems to be holding up a hand against sunlight. The person in the foreground has an intense expression on their face and is looking directly at the camera.
The text overlaying the video reads: "Your skin color is a mutation. Blackness is the original setting. Every human being on Earth started with dark skin. Every single one. Melanin, the pigment that makes skin dark, was the default. The original design built to protect the body from the sun. When humans migrated out of Africa into colder, darker climates, their bodies adapted. Less sun meant less need for melanin, so the skin got lighter, not an upgrade. A loss. Light skin is a reduction in melanin. That's not evolution forward. That's evolution stripping something away."
The video seems to be designed to provoke thought and discussion on topics related to race, human evolution, and the historical context of pigmentation as it relates to cultural and societal perceptions of beauty and superiority. The text suggests a critique of Eurocentric views that lighter skin is considered more desirable or advanced, ignoring the natural origins and protective functions of melanin in the body's ability to shield against UV radiation and reduce the risk of skin cancer. ]]></description>
<pubDate>Tue, 07 Jul 2026 12:00:41 -0400</pubDate>
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<title><![CDATA[Post: #NeverForget]]></title>
<link>https://www.blaqsbi.com/ZG6</link>
<description><![CDATA[  1884, Germany. 14 European nations gather. Maps of Africa spread before them. Wine glass is filled. Segar's lit. Not a single African in the room. For 13 weeks, they draw lines, straight lines, ruler lines through kingdoms, through tribes, through families, through languages spoken for thousands of years. Nobody asks who lives there. 1885, the scramble begins. Britain takes Egypt, Sudan, Kenya, Nigeria, South Africa. France sees as Algeria and West Africa. Massacres entire resistance movements. Belgium's King Leopold takes Congo personally. 10 million Congolese dead in 23 years. Germany takes Namibia, the Herrera people resist. Germany issues extermination orders. 80% of the Herrera wiped from the earth. Africans fight back with spears against machine guns. They are massacred. By 1914, 90% of Africa is colonized. Those lines never leave. Belgium splits one kingdom into Rwanda and Barundi. Hutu and Tutsi divisions are sharpened like a blade. 1994, genocide. 800,000 dead. Britain forces 200 ethnic groups into one country called Nigeria, Biafra war, 3 million dead. Somalia, one people cut into five colonies, still at war today. Every straight line through Africa is a border drawn in Berlin. Every border is a future war. 1884, 13 weeks, 2025, still bleeding. History did not forget the Berlin conference. It just never told you who paid the price.
The video depicts a scene from the movie "Apocalypse Now," which is well-known for its intense and dramatic portrayal of the Vietnam War. In this particular scene, we see two military officers standing on a balcony overlooking a battlefield during a stormy sky, with soldiers carrying a flag. The caption refers to the 1884 Berlin Conference, a historical event where representatives from European nations gathered and divided Africa among themselves, leading to the scramble for African territories that included major events such as the colonization of Congo, the massacres of the Herero people, and the partitioning of Rwanda. The caption suggests a comparison between past historical events and current geopolitical conflicts, implying a continuous cycle of colonialism and conflict in Africa. ]]></description>
<pubDate>Tue, 07 Jul 2026 11:53:24 -0400</pubDate>
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<title><![CDATA[Post: The world is in a sad state. Some might argue that the world has always been a sad place given its...]]></title>
<link>https://www.blaqsbi.com/ZFV</link>
<description><![CDATA[history of cruelty. It just seems to be getting worse everyday as more and more normal people are using hatred for financial gain.  The image is a digital graphic with a black and white filter, featuring overlaid text that reads "Hate" at the top, "simple and ugly" below it in smaller font, and "HATE" at the bottom with a play button icon superimposed on it. The overall style of the image is reminiscent of social media or video platform content, where hate is often used as a term for dislike or opposition to someone's views or actions. The text appears to be critical of the concept of hate speech, suggesting that hate can be simple and unintelligent, but it does not provide any further details or context about what is being criticized. ]]></description>
<pubDate>Tue, 07 Jul 2026 10:17:33 -0400</pubDate>
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<title><![CDATA[Post: Haitian Truth.]]></title>
<link>https://www.blaqsbi.com/ZDH</link>
<description><![CDATA[  we can thank Haiti and to San Louvertur and the Haitian Revolution for literally 40% of the landmass of the United States because it was the Haitians who valiantly sent Napoleon Bonaparte packing with his tail between his legs back to Europe and then he did a fire sale to the United States. He said, Thomas Jefferson, please buy this off of me. I can't be here with these people, they're killing us. And it was that revolution that caused the sale of 40% of the landmass of the United States to open up the country with Westwood expansion and then West is history. No Haiti, no Western US, the whole Western US does not exist without Haiti having, you know, blood for freedom, for its own freedom. And they've a problem. So don't forget that Haitians fought for the US during the war in the schools. That's correct. Yeah, it is battle of Savannah. And so after that, I believe Chris Bousadix was Asian. Yeah, and after that experience, that's when they went back to Haiti and said, hey, what's wrong with this picture? We were fighting for the independence and then we slaves and so hence the Haitian revolution started. Exactly. And in addition to that, if, you know, no Haiti, no New Orleans.
This video is a meme featuring a humorous juxtaposition of two screenshots from separate video clips, each with a different person and overlaid text. The top screenshot shows a woman, presumably an influencer or public figure, talking about the Haitian revolution, suggesting that without it, there would be no United States. She mentions Napoleon Bonaparte being sent packing and the sale of 40% of the land mass as part of the Louisiana Purchase, which is connected to the Haitian Revolution.
The bottom screenshot shows an African American man, likely a public figure or commentator named Pierre-Pierre Ndongo, speaking about the importance of understanding Haiti's role in the Western world and its impact on history. He refers to the Haitian Revolution as "the mother of all revolutions" and states that it caused the sale of 40% of the landmass to Europe due to Napoleon Bonaparte being sent packing, which ultimately led to the independence of Haiti and indirectly, he suggests, to the creation of the United States.
The meme is humorous, playing on the historical significance of Haiti's role in shaping the world we live in today, with a nod to pop culture references and internet memes by using the names Napoleon Bonaparte and Savannah as punchlines. The content appears to be educational, aiming to remind viewers about the influence of the Haitian Revolution on modern Western history and society. ]]></description>
<pubDate>Mon, 06 Jul 2026 09:23:26 -0400</pubDate>
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<title><![CDATA[Post: Black and proud.]]></title>
<link>https://www.blaqsbi.com/ZBH</link>
<description><![CDATA[  Eh what's your shepherd's s-
The video shows a split video of two videos within an overall square frame. In both, there are individuals styled in retro fashion from the 1960s or 70s era; however, they are wearing modern casual clothing. The top video features several people, with one individual holding a hair dryer towards their face. They have a short black hairstyle and appear to be interacting with someone else who is not visible in this part of the video. This person has sunglasses on top of their head, which adds to the nostalgic vibe of the fashion style. The bottom video shows one individual in profile looking back at the camera, wearing a black shirt, possibly with their hair styled or being styled by someone off-screen.
The text "black is beautiful" overlaid on the video suggests that it might be related to a statement about Black Pride or support for African American culture and beauty. The overall message conveyed is one of positivity towards Black people, possibly in a promotional or celebratory context. ]]></description>
<pubDate>Fri, 03 Jul 2026 21:41:56 -0400</pubDate>
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<title><![CDATA[Post: Fuck that we tired.]]></title>
<link>https://www.blaqsbi.com/ZBC</link>
<description><![CDATA[  I fuck your entire, yeah, we so tired Ooh, fuck your entire, yeah, we so tired Fuck your entire, we bang you long time Move to our hood, hit on blast Uh, case then @#$@#s, but you won't I can't Shuh, uh, can't go to the burbs and set up shop I, uh, can't fuck with @#$@#s, y'all been the I Ooh, I was around like we tryna steal Put that shit back, then you shoot the kill
The video is a composite of three separate videographs collaged together. In the central video, there is a person standing in the foreground holding a sign with text that reads "BLACKOUT ANTHEM NOW WE CAN'T BAN YOU ALL TOGETHER." The individual is dressed in a black and white striped shirt and has short hair. They are holding another sign in their other hand with the names "EXCLUSIVE MERCH NIK-PRINTY on it, which suggests that they may be promoting merchandise or an event related to the Black Lives Matter movement.
The top left video shows a crowd of people at what appears to be a protest or demonstration, with one individual prominently in the foreground holding a sign with the text "Blackout Anatomy." The middle video has the text "WE BAN YOU ALL TOGETHER" and below it, a smaller sign that says "LONG TIME NOW". The bottom left video includes various logos of sponsors and supporters such as Apple Music, Spotify, Instagram, and others.
The video on the right is a black and white protest poster with text that says "Black Lives Matter" in bold letters at the top and "FUCK THE ENTIRE CROWD" below it. The bottom of this video features another message that appears to be a call for action, stating "Nik-Printery mech."
Overall, the videos suggest that these are related to a protest or demonstration connected to the Black Lives Matter movement and may represent merchandise for sale, suggesting the event is associated with this cause. The text on the signs expresses frustration or activism related to racial inequality and social justice issues. ]]></description>
<pubDate>Fri, 03 Jul 2026 19:47:15 -0400</pubDate>
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<title><![CDATA[Post: Speak it.]]></title>
<link>https://www.blaqsbi.com/ZBA</link>
<description><![CDATA[  The majority of the black community is weak. I have to say this, the majority of the black community is weak and fragile. Y'all have allowed capitalism, consumerism, comfortability to stop you from the mission, to take you away from black unity, to take you away from the actual issues that black people face in America. You've allowed your little high-rise, you've allowed the little BMW, the rave, the fucking Mercedes, the, you know, nice little neighborhood to make you so comfortable that you don't want to fight back. You don't want to fight the systems of oppression. You rather assimilate. And we're like, well, you know, it ain't that bad. I'm here. You rather, oh, corporate baddie, corporate bro, corporate girlies, tech bro, tech girlies. Y'all saying all this stupid shit, because now you've assimilated. You've allowed this title and these little breadcrumbs that you get from the white man to then cloud the actual mission, to cloud what really is wrong with the society we live in. You become a proxy to the system. You're benefiting from the very shit that is destroying the black community. And you sitting there, well, you know, I mean, it's not that bad. You know, I've made it. I got money. I'm in a high rise. I have a home. I have, you know, a white picket fence. I have this. If I can get it then, you know, black, other black people can, you see how that sounds, right? Now y'all week. Now you're scary. Now you don't want to be on the front line, because you scared, oh, I'm gonna lose my salary. I'm gonna lose this good white job. You know, like, I'm gonna lose money that I gotta use to pay bills. You scared to stand up. You scared to stand up for the community. This is why a lot of the black community is bitch made, male and female. Y'all scared, y'all gotten so comfortable with what the breadcrumbs that the white man gave you or allowed you to get that now it's like, I don't want to do anything to jeopardize my comfortability in this white system, in this racist system. You've assimilated. You've indoctrinated. And you've assimilated. Some of y'all got positions to make change and still won't do it. You know what I'm saying? Millionaires ain't doing shit because they still want that white proximity. They still don't want to piss off the white people and now it fucks up their money. Fuck the money. Your community is hurting. Your community is hurting. And you weren't about how this shit going affect your bottom line, your salary, your money, your bins, y'all not really for the revolution. Y'all, you scared of it. You scared of it. You scared to lose what the white man has given you. So disappointed in my community, man, like a lot of y'all are a scariest fuck.
The video shows a person sitting on a bed and making a face with their mouth open as if they are speaking or singing into a microphone. Overlaid on the video is a text that reads "The Comfortable Bourgeoisie," which seems to be a reference to a song by Kendrick Lamar, featuring a skit that criticizes African American individuals who are more focused on materialistic comforts and avoiding confrontation rather than addressing societal issues. The person in the video appears to be a young man wearing a black headband with a colorful pattern around his neck, and there's a visible chain around his neck. The background is plain with muted colors, suggesting an indoor setting. ]]></description>
<pubDate>Fri, 03 Jul 2026 19:37:56 -0400</pubDate>
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<title><![CDATA[Post: #NeverForget]]></title>
<link>https://www.blaqsbi.com/ZBw</link>
<description><![CDATA[  Dites-moi où il vient enfin je saurais où je veux Maman dit que lorsqu'on cherche bien on finit toujours par trouver Elle dit qu'il n'est jamais très loin qu'il pas très souvent travaillé Maman dit travailler c'est bien bien mieux qu'être mal à compagner pas vrai Vous êtes un papa, dis-moi l'être un papa J'en même devoir les parler c'est ce qui ne va pas A sa quette papa, dis-moi tout gar girl Fais aux mammis fois que j'ai compté m'erre Excellent Vous t'aime à pa oute, vous t'aime à pa oute Vous t'aime à pa oute, vous t'aime à pa oute Vous t'aime à pa oute, vous t'aime à pa oute Vous t'aime à pa oute, vous t'aime à pa oute ...
The video depicts a man standing in front of two national flags: the flag of Cameroon and the flag of Egypt. He is wearing a suit with a tie and appears to be posing for the video. Behind him, there's another person who is reaching out as if to shake his hand or greet him. The man has a stern expression on his face and is dressed in formal attire appropriate for an official event. The setting suggests that this could be a diplomatic meeting or a formal gathering involving international relations or diplomacy between Cameroon and Egypt, as indicated by the flags. The text overlaying the video seems to be a message from someone expressing affection for the person depicted in the video, using repetitive phrases in French that translate to "I love you so much". ]]></description>
<pubDate>Fri, 03 Jul 2026 19:06:30 -0400</pubDate>
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<title><![CDATA[Article: Policy and Program Change]]></title>
<link>https://www.blaqsbi.com/ZrA</link>
<description><![CDATA[Effective immediately, you are no longer able to transfer Bmunts to cash value. We have discontinued this program.You can used your earned Bmunts to unlock premium platform features, promote your posts for greater reach, and share value directly with other members of the Blaqsbi community. ]]></description>
<pubDate>Mon, 29 Jun 2026 08:14:01 -0400</pubDate>
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<title><![CDATA[Post: Happy Juneteenth]]></title>
<link>https://www.blaqsbi.com/ZjC</link>
<description><![CDATA[  The image displays a poster with a graphic design style. At the top of the poster, there is a date "19 JUNE" followed by the word "JUNE TWENTH" in bold, capital letters. Beneath this, the word "FREEDOM DAY" is written in smaller uppercase letters. The central focus of the image is a large text that reads "JUNE THIRDTEETH," with the words "JUNE" and "THIRDTEENTH" in bold, capital letters and the rest of the word "JUNE TWENTH" in a smaller font size.
The poster features a colorful background consisting of multiple stripes in various shades of red, yellow, green, blue, and brown. There is a border around the top edge of the poster with a similar color scheme to the background. Inside this border, there are red, white, and black hearts arranged in a pattern that creates a decorative border effect.
The central graphic element on the poster is a distressed font text bubble with the word "JUNE" in bold, capital letters, which appears to be floating above the rest of the text. The text bubble is outlined by a thin red line and has an uneven, worn appearance as if made from paper or fabric, giving it a three-dimensional effect.
On the right side of the poster, there is a small illustration of a person with closed eyes and a smile on their face, positioned to appear as if floating upwards into the text bubble. The figure has dark hair and is wearing a heart-patterned garment that matches the colors used in the rest of the design.
The overall impression of the poster is celebratory and commemorative, likely intended for an event or cause related to "June Tenth," which might be a reference to a specific date or historical event tied to the month of June. The use of bright colors and playful typography suggests a lighthearted and festive tone. ]]></description>
<pubDate>Fri, 19 Jun 2026 12:27:27 -0400</pubDate>
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<title><![CDATA[Post: Well,said.]]></title>
<link>https://www.blaqsbi.com/Z1Q</link>
<description><![CDATA[  The reason why George Zimmerman and Rick Child felt that it was okay to murder black boys in their own communities is because they knew the black man wasn't gonna do shit and they were going to go to court and fight in a white supremacist society and win and when they were going to be released from jail they were going to go back to living their civilian lives as if nothing ever happened. George Zimmerman went so far as to try to profit off of the murder of Trayvon Martin. He sold sign bags of skittles to mock his death and he still walks around yet in between the time the George Zimmerman murdered Trayvon Martin to today there have been thousands of black men killed by other black men across America. The problem is that the men and the community that are raising these boys and I don't mean they daddy's I mean the ones in the streets that are raising these young men is they're teaching them that their enemies look just like them instead of raising them to be real soldiers. Crash out on the right ones because guess what other communities that's what they do. They round up the why ends of their community and train them to fight for them not against them. We are in the land of our captors pay attention learn.
The video shows a woman with short hair, wearing a red top, and she appears to be indoors. She is making a face as if she's speaking or reacting to something happening off-camera. Her expression seems neutral. Behind her, there's a partial view of an interior space with red walls and a window blind. The woman is not wearing any visible jewelry or accessories. There's text overlaying the video, which seems to be part of the context provided by the transcription, suggesting a broader discussion about societal issues related to gun violence and community dynamics. ]]></description>
<pubDate>Mon, 08 Jun 2026 09:06:06 -0400</pubDate>
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<title><![CDATA[Post: #wewillbe]]></title>
<link>https://www.blaqsbi.com/Z1J</link>
<description><![CDATA[  We've been gold before the Tel Aviv. We've been fire before the naming. We've been glories and stories before time interrupted our becoming. We've been builders of worlds before the world called itself global. We've been scholars. Long before the world called us local. We've been kings, queens, owners of the noblest of things. We are the bronze opinion. The ink of Tim Buktu, the gold of Ghana, the diamonds of Bostwan, are the minerals of the Niger area. Today we are reinventing Africa in the bustling markets of Lagos and the tech hubs of Nairobi from the dunes of the Sahara to the poles of Johannesburg. We are innovation wrapped in color. We are progress, processed and culture. We are the future. Not because we are without struggle, but because we prevailed. Today we have proven sustainability, even in scarcity. And somewhere between policy papers and project sites between meetings in Washington Halls and mornings in our markets and new kind of conversation is beginning. Where Africa is not just recipients of plans for architects of our own future. We have proven time and time again that the world can bank on us as investors, as partners, and even friends. A partnership where the world bank can power futures through energy that outleaves darkness. I agree business that enables families and economies to thrive. Health care that reaches and enriches lives. Tourism that tells our stories in their original colors, manufacturing that breathes productivity and job creation that builds dignity of labor. And together we can create a new age, a new story that is co-authored between the world bank, Bloob and Africa.
The video appears to be a screenshot from a video or a digital camera phone videograph showing an individual taking a selfie with a group of people in the background who are engaged in what seems to be a discussion or meeting. In the foreground, there's a person holding a camera, seemingly capturing a moment during this gathering. The person taking the video has their back turned to the camera and is also standing behind a desk.
The group consists of several individuals standing around a table with papers on it, suggesting they might be in a discussion or presentation. One individual appears to be gesturing towards another person. They are all dressed smartly, some wearing ties, indicating that this could be a formal or professional setting. The backdrop is indoors with a chandelier hanging above the group and what seems to be a blurred video of an older man in the background.
The text at the bottom of the video mentions "Today we are reinventing Africa," which suggests that the gathering might relate to development or progress in Africa. The video conveys a sense of optimism and forward-thinking about economic, social, or cultural advancements for Africa. ]]></description>
<pubDate>Mon, 08 Jun 2026 07:18:36 -0400</pubDate>
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<title><![CDATA[Post: #truth]]></title>
<link>https://www.blaqsbi.com/Z1I</link>
<description><![CDATA[  The Chinese man just said to the black people are the stupidest set of people that has ever walked the face of the earth. The Chinese said to him that there is no other race in the world, more stupid than black people. And that's why black people is to the bottom of every economic ladder in the world. And they will never rise up. He told me he said, you know, this is a black country. An endless black country, a Chinese or any other ethnicity, any other race of people, where it's Indian, Chinese, Arabs, and even on. I don't want to call them to make a mistake. Said, and they can come into a black country. And they can set up a business next to a black person in a black country. And with the help of the black people, they will put the black man out of business in a month of weeks. Let me say it again. He said that a Chinese or any other ethnicity, in coming to a black community or a black country, set up a business next to a black person in a black country. And in a month of weeks with the help of black people, they can shut black people out of business. Now, when he highlighted the fact that black people are stupid, I was an or. But when he explained it to me, I must agree. For another ethnicity to come to our land, and tell us that we are the stupidest set of people that has ever walked the face of the earth, we would argue and get angry, but it's a fact. What he said is a fact. Any other ethnicity can set up a business in our country next to black people, and we'll get the support of none of its own people. There are people that go to another ethnicity, and black people are the only people that has ever done that. And that's true. It sounds cruel, but it's true. Because you can set up a store no matter what your prices are. Once the Chinese are selling next to you, the Chinese will shop with the Chinese. If you set up a business that is sending a pie to the Indian, Indians will first shop with Indians. Europeans will shop with Europeans. Black people are the only race of people who will spend their money with another.
The video shows a screenshot of an Instagram post featuring a meme with text overlaying it. The meme contains a caption that reads: "A black man in jamaica speaks on a conversation with a chinese man who calls a chinese person stupid for saying black people are the stupidest set of people on earth, and he mentions the incident involving black people supporting Chinese businesses in China. It suggests that this is due to the nature of the relationship between black people and the Chinese community. The meme uses humor to highlight a stereotype about the business habits of African Americans. However, it's important to note that such generalizations can be oversimplified and do not represent the complex dynamics of inter-ethnic relationships and economic factors at play in the context of China and other countries. ]]></description>
<pubDate>Mon, 08 Jun 2026 07:11:48 -0400</pubDate>
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<title><![CDATA[Post: Why does the world hate us?]]></title>
<link>https://www.blaqsbi.com/Z1H</link>
<description><![CDATA[  I hope this makes you as angry as it makes us. There's a viral trend around an attachadol in China, a black baby stress toy. Chinese social media users are forming themselves squeezing, stretching, and brutalizing the doll for entertainment. When asked why the attachadol had to be black, one Chinese social media user responded that a white baby, for example, would be too human and people would feel bad for hurting it. The attachadol is disturbing as is, and now Chinese social media users are forming themselves with real life attachadoles. There are so many videos and entire channels dedicated to showing Chinese people abusing black babies. And then laughing about it. Content creator Shalom Em took a deep dive on the many ways in which Chinese social media has created an entire market for abusing, harassing, and dehumanizing African children on camera. She mentions how the BBC did an entire documentary on a Chinese man who was living in Malawi and filming children without the consent of their parents and selling those videos to said Chinese market. China has a great firewall on all social media apps that are not Chinese owned, so they have their own apps like Red Notes, WeChat, and Mal, which means a lot of the content posted on these Chinese social media apps stays within China and is specifically targeted towards a Chinese audience and what they like. There's an entire market of Chinese adults who enjoy watching videos of black African children being abused. As our African leaders continue to welcome a nation that does not regard us as human beings, what can we do about it? Let's talk in the comments. Bye!
The video you provided shows two contrasting content: one is an example of social media content from China where users are sharing and reacting to posts that feature a black baby being squeezed or deformed in various ways for entertainment, which the text labels as racism; the other is a reaction video of someone using a phone with a white baby squeezing itself. The video appears to be sharing a message about the disparity between the portrayal of the black baby and the reaction of the person interacting with it, suggesting a hypocritical response from China towards race and racism in the context of the video of the black baby.
The text at the top of the video reads "RICE KINGDOM" followed by "#Rice Kingdom," which seems to be a hashtag or slogan associated with the content. The first video shows a screen capturing a social media post with an emoji next to it, and below that is a video of a person holding a small black baby in a way that mimics the action depicted in the meme above.
The bottom video features a phone screen showing a conversation where one user has reacted to this kind of content by creating their own humorous post with a white baby squeezing itself, which is labeled as "RICE KINGDOM." The caption on the bottom says "When they try to make racism entertaining," suggesting that the creators of such content are trying to use humor to address or comment on the issue.
The video and text together seem to be addressing a complex topic related to race and cultural norms, specifically within the context of Chinese social media where black babies are being used for shock value or humor without considering the potential harm it might cause to others, which is then being ironically highlighted in the second part of the meme.
The text at the bottom of the video references a video or documentary on the issue and invites viewers to comment, indicating that this is an important topic of discussion. ]]></description>
<pubDate>Mon, 08 Jun 2026 07:05:45 -0400</pubDate>
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<title><![CDATA[Post: Where are they.]]></title>
<link>https://www.blaqsbi.com/YU9</link>
<description><![CDATA[  Are we gonna continue to talk about this? Where are the Huey Pnews? Where are the Malcolm X's? Where are Martin Luther King as we were speaking of earlier in his latter days? Where are the people that are gonna go to the forefront right now and say this is not gonna stand, this is not how we will allow you guys to treat us? Where are we at?
The video shows a person on a television screen, who appears to be a TV host or interviewer. She has blonde hair, is wearing a patterned jacket over a white top with a necklace and has visible tattoos on her arms. The individual is holding a mug in their right hand and seems to be making an expression that suggests they are speaking with someone off-camera. The person is sitting at a desk, and the background indicates a television studio setting. There's text overlayed on the video that says, "WHERE WE GONNA BE," indicating a call for action or attention to social issues such as political activism or social justice. The specific reference to Huey Newton, Malcolm X, and Martin Luther King implies that this might be about advocating for rights and change related to African Americans or the black community, suggesting that those individuals are not present in the current context where the video was taken or being discussed on the show. ]]></description>
<pubDate>Wed, 03 Jun 2026 09:49:43 -0400</pubDate>
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<title><![CDATA[Post: Finding Our Wings ✨ Watching this beautiful bird reminds me of the power of freedom and...]]></title>
<link>https://www.blaqsbi.com/YOv</link>
<description><![CDATA[perspective. Sometimes, you just need to rise above the noise, trust your wings, and enjoy the view. Sending positive vibes and peaceful energy to the huddle today! 🌍✊🏾 #Blaqsbi #MelaninMagic #Inspiration #NatureLovers #PositiveVibesOnly #RiseUp  The image displays a pigeon perched on what appears to be a man-made structure, possibly a fence or a small stand. The bird is facing towards its right side and has a grayish plumage with darker feathers around its wings and tail. Its head is turned slightly upwards as if looking at something above.
The pigeon's eyes are open, revealing the inner white areas typically found in birds of this species. There is no visible text or distinctive features that provide information about the individual depicted in the image. The background shows a natural setting with green vegetation and what appears to be a path or walkway running through it. The lighting suggests it might be late afternoon, as the sunlight casts a warm glow on the scene.
The photograph is taken from a slightly elevated angle, providing a clear view of the pigeon's profile and the surrounding environment. There are no people visible in this image. ]]></description>
<pubDate>Thu, 28 May 2026 19:23:42 -0400</pubDate>
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<title><![CDATA[Post: Enough is enough.]]></title>
<link>https://www.blaqsbi.com/YOn</link>
<description><![CDATA[  It's like that dangerous black person on the plantation who's always going around trying to read something or trying to figure things out, asking questions, trying to figure out how to plantation is run. That is a dangerous Negro on this plantation. Sell him down to River or give him a good weapon and stop him from being curious about serious thing. Keep him in the silly mode. That is the category that black people always suppose to be in. The silly mode, the destructive mode. Don't let them think about anything serious because then they become a danger.
This is a black and white videograph featuring a person with a dark skin tone, looking directly at the camera with a thoughtful or pensive expression. The individual appears to be a young woman with a focused gaze towards the viewer. She has defined features such as eyebrows, eyes, lips, and well-defined facial contours, which are highlighted by the lighting in the video. Her hair is dark and textured, and she's wearing makeup that accentuates her facial structure. The background is plain and indistinct, with no discernible details or items to provide additional context.
The transcription you've provided seems to be a commentary or description, possibly in the style of a dialogue from the movie "Interstellar," where characters are labeled as "Negros" and "Matt Damon." However, without further context, it is not clear how this relates to the video. The transcription's statement about "dangerous black people on a plantation" and needing to keep them in "silly mode" does not align with the content of the video, which shows a woman, and the concept of plantations or Matt Damon is not present here. If you have specific questions regarding the video or need further interpretation, please provide additional details or clarify the context for the transcription provided. ]]></description>
<pubDate>Thu, 28 May 2026 08:00:32 -0400</pubDate>
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<item>
<title><![CDATA[Post: #NeverForget]]></title>
<link>https://www.blaqsbi.com/YNf</link>
<description><![CDATA[  Did you know Abraham Lincoln supported a plan that killed 13,000 black Americans? In 1816, white politicians created the American Colonization Society with a twisted goal. They believed black and white people could never live together in America, so they convinced freed slaves to move to Africa. They promised free land and new opportunities in Liberia. What they delivered was a death sentence. The ships were floating coffins. Disease spread like wildfire in the cramped filthy conditions. Half the passengers died before ever seeing land. But here's the most horrifying part. The black Americans who survived the journey didn't find freedom in Liberia. Instead, they enslaved the Native Africans they found there, recreating the exact same brutal system they had just escaped. Henry Clay championed this program. Abraham Lincoln genuinely believed deportation was better than integration. For decades, America's most respected leaders shipped black citizens to their deaths, calling it compassion. 13,000 people died in this government-sponsored scheme that lasted until the Civil War. They called it the American Colonization Society. History should call it what it was. Organized murder.
This video is a digitally manipulated graphic of an illustration from a comic book or animated show featuring an adult male character standing in front of a coffin, looking concerned. The text on the video overlay provides historical context about the American Colonization Society and its role in the 18th century in the United States. It highlights a dark period of history where thousands of people were transported from America to Africa under the guise of freedom and opportunities but were instead met with harsh conditions and enslavement. The text references Abraham Lincoln's involvement in this society, although he is not directly responsible for these actions, as the American Colonization Society predates his presidency by several years and was primarily led by other prominent figures. The video is a powerful piece of graphic art meant to educate about a lesser-known aspect of history, emphasizing the grim reality behind a policy intended to address racial tensions in America at that time. ]]></description>
<pubDate>Wed, 27 May 2026 09:01:35 -0400</pubDate>
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<item>
<title><![CDATA[Post: #wakethefuckup]]></title>
<link>https://www.blaqsbi.com/YNe</link>
<description><![CDATA[  400 years 400 years and this what we're doing as a people wake the fuck up
The video depicts two animated characters standing on a bridge in an urban setting at sunset, looking out over a cityscape. They are presented with a realistic rendering that seems to be a blend of a staged video and a painting, giving it a surreal quality. A man and a woman stand close together, both with exaggerated expressions and attire reminiscent of the 17th-century or historical period dress. The man is wearing a furrowed brow and intense gaze towards the camera, while the woman has an apprehensive expression. They appear to be looking at something or someone out of frame, which draws their attention, although it's not visible in the video. Their clothing and hairstyles suggest a historical context, perhaps a statement about historical events or commentary on contemporary social issues, as suggested by the transcription. The background features a cityscape with an expressive sky, indicating either the end of day or dawn, which adds to the dramatic atmosphere.
The woman is holding onto the railing and seems to be looking towards the man with anticipation or concern. Both characters have facial expressions that might indicate their surprise, distress, or a shared sense of urgency. The man's stance is assertive, perhaps signifying he is ready for action or confrontation. This could imply a narrative of resistance or confrontation with societal norms, power structures, or challenges faced by people in the past and present.
Without additional context, it's difficult to determine the specific message or story being conveyed by this video, but it appears to be a powerful visual that combines elements of historical attire with modern expressions and emotions. ]]></description>
<pubDate>Wed, 27 May 2026 08:55:21 -0400</pubDate>
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<title><![CDATA[Post: #neverforget]]></title>
<link>https://www.blaqsbi.com/YK9</link>
<description><![CDATA[  1912, Forsyfe County, Georgia. Over 1,000 black people live here, farmers, landowners, church builders. Then, a white woman is found assaulted. She dies from her injuries. Three black teenagers are accused. Before a trial can begin, a white mob storms the jail. They drag Rob Edwards to the town square. Beat him to death. Hang him from a telephone pole. Ernest Knox and Oscar Daniel are publicly hanged. Both are under 18. Then the terror begins. White vigilantes form groups called the Knight Riders. They ride through black neighborhoods at night, burning churches, burning homes, shooting into houses, setting off dynamite. They give black families 24 hours to leave or die. Over 1,100 black people are violently expelled. Their land is stolen. Only 24 of the 58 black landowners are able to sell their property. The rest is taken without payment. By 1913, Forsyfe County is all white. It stays that way for decades. 1946, the US government decides Atlanta needs more water. They plan to build the Buford Dam. They use eminent domain to seize 56,000 acres. Much of it is the stolen black land from 1912. 1956, Lake Lanier is created. Former black churches, homes, and cemeteries disappear under water. The lake is named after Sydney Lanier, a Confederate poet. White families who benefited from the racial cleansing now benefit from the lake. Lakefront property, tourism, economic boom. The displaced black families receive nothing. Today, Lake Lanier is one of Georgia's most popular recreation spots. Millions visit every year. Yet most have no idea what lies beneath.
]]></description>
<pubDate>Sat, 23 May 2026 08:17:22 -0400</pubDate>
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<title><![CDATA[Post: Stronger Together]]></title>
<link>https://www.blaqsbi.com/YK8</link>
<description><![CDATA[  If black men are so bad who raised them? If black men are deadbeats who raised them? If black men are broke, bum, dusty, down bad, impoverished, and musty, who raised them? Now before you answer that question, I have to ask you this one. If white men are so great and they just know how to treat women and they are so respectful and their providers, who raised them? If white men are so great and they treat black women so well, who raised them? When you say things like that, you don't understand that you are basically saying that the white woman knows how to raise her sons to be prominent members of society, but black women don't know how to raise their children and they shouldn't be raising children. That's what you're saying. So when y'all get on here and y'all talk shit about black men and y'all praising up lift the white men, I want you to know and I want you to understand that you are praising the white mother as well. You're praising the white woman as well. You're basically saying that she knows what she's doing when it comes to child rearing and black women don't know what the fuck they're doing. And black women need to stop having kids because look at how their kids turn out. That's what you're saying. That's what you're saying whenever you talk about how bad black men are. How terrible they are. They were raised by black women. So who is responsible for these men that we got out here? They were raised with all their mothers influence. And their deadbeats? They're trash? They don't know how to treat women? Hmm.
This video appears to be a screenshot of a social media post featuring an Instagram story from an account with the handle @shady_black_women. The account is highlighting a news headline from the New York Post that discusses the impact of cancel culture on black women and how they are raising their children. The text overlay on the video suggests that the poster is addressing stereotypes about black men and their upbringing by black women. It criticizes the statement as perpetuating the notion that only white mothers can raise prominent members of society, implying that black mothers are not capable of doing so. The video also includes a video of a woman with a caption that seems to be critical of the news headline and its implication about black women's role in raising children. The poster suggests that such statements contribute to stereotypes that are harmful and can perpetuate negative stereotypes about both black men and women. ]]></description>
<pubDate>Sat, 23 May 2026 08:09:16 -0400</pubDate>
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<title><![CDATA[Post: It will only get worse.]]></title>
<link>https://www.blaqsbi.com/YK7</link>
<description><![CDATA[  A Florida teacher hung a black baby doll by a wire in her classroom. She said it was to get her students attention. We all know what this actually is. The video was captured by a 14-year-old student and later posted by his mother on Facebook. According to the post, his art teacher, Mrs. Savage, wrapped a charger cord around the black baby doll's neck and hung it over the classroom TV in front of the entire room. When the students called this out and discussed, she reportedly laughed it off. The teacher has since been fired, but many are saying this doesn't go far enough. Some are calling for her teaching license to rear vogue so she can't do this to more kids. Despite trolls saying it's a joke, incidents like this aren't an accident. They're a symptom. Studies show that heat crimes have more than doubled since Trump's rise in 2015, and it's not hard to see why. We have people in public office promoting the Great Replacement Theory, Jerry Mandler, away black votes, and banned books that dare to discuss racism. This in Bolden's groups to hang a news before they storm the Capitol. Alt-right kids programming to suggest that slavery wasn't that bad, and unite the right rallies with KKK members marching through college campuses. It all trickles down from the top, and that's how we end up with like this in our classrooms.
The video shows a woman sitting at a table with people around her. She appears to be looking over her shoulder, holding a smartphone in front of her face, while a meme is superimposed on the videograph. The meme includes text that states "Teachers are suspending classes, but not their careers" and suggests that there has been an increase in hate crimes since Trump's rise to power. It mentions various factors like trolls promoting the "Great Replacement Theory," unite rallies with KKK members on college campuses, and the idea that slavery wasn't that bad as reasons for this.
The video is a screenshot from a social media post or a meme that seems to comment on educational issues in the context of political polarization and cultural discourse in society. It expresses concern about incidents like the one described in the meme, which involves a teacher using a black doll to get students' attention. The woman in the video is reacting to the text with a humorous or sarcastic comment, as indicated by her facial expression and gesture of pointing towards it.
The background suggests that this is likely a videograph taken indoors, possibly at a social gathering or event, where people are seated around tables, and there's a flag in the corner which might indicate an informal setting or a community center type environment. The overall tone of the meme appears to be critical of certain educational practices and societal issues, suggesting that there is a need for attention to be given to incidents in classrooms and to the broader social climate surrounding them. ]]></description>
<pubDate>Sat, 23 May 2026 07:58:09 -0400</pubDate>
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<title><![CDATA[Post: The future is bright, and it looks exactly like this. 🌟 Double tap for that beautiful smile!]]></title>
<link>https://www.blaqsbi.com/YxX</link>
<description><![CDATA[ ]]></description>
<pubDate>Sat, 16 May 2026 17:09:11 -0400</pubDate>
<category>TIMETOCELEBRATECHAEWON</category>
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<title><![CDATA[Post: #truth]]></title>
<link>https://www.blaqsbi.com/Ysh</link>
<description><![CDATA[  If the white people were normal, if the white people were not greedy, if the white people were environmentally friendly, if the white people had tolerance, we could maybe live together. But their appetite of dominance is too much, that you cannot coexist in a same space with our conflict. Because as soon as a white man comes into your space, he can change everything to make sure that it suits his worldview. He can just come there and leave, and join us, and leave together in harmonies with us.
The video displays a meme featuring a videograph of a man who appears to be a Rastafarian figure, wearing a black shirt with the flag of Jamaica visible on his attire, and a message overlaid on it. He is holding what looks like a microphone or a guitar, suggesting he might be performing or speaking. In the upper right corner of the video, there's a caption that reads "if white people were normal," followed by an illustration of two speech bubbles with text that suggests a contrast between how one person's view of what is considered 'normal' and another's expectations.
The bottom of the video features a watermark indicating that the video was posted on Instagram at 2:30 PM on November 21, 2021. The overall message of the meme seems to convey a perspective on racial tension or inequality, using the example of a white person entering a space and disrupting it for their own benefit. The use of the Rastafari man in this context may suggest a cultural commentary on societal issues from an ethnic minority's point of view, possibly highlighting historical or contemporary experiences of marginalization or the clash of cultures. ]]></description>
<pubDate>Wed, 13 May 2026 08:36:08 -0400</pubDate>
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<title><![CDATA[Post: #NeverForget]]></title>
<link>https://www.blaqsbi.com/Yse</link>
<description><![CDATA[  1900 Kumasi Ghana. The Ashanti Empire faces the British. They demand the Golden Stool, not just a throne, but the sacred symbol of Ashanti power. The chiefs hesitate. The kings stay silent. They fear British guns. Then one woman stands. Ya Asantawa, she looks at them and says, if you the men will not go forward, then we the women will. Silence fills the room. And in that moment, everything changes. She takes command. She rallies warriors, women, men, fighters, and leads a rebellion against the British Empire. For five months, they fight, ambushes, guerrilla attacks, relentless resistance. They refuse to surrender the Golden Stool, but the British push back. They break through. Ya Asantawa is captured, exiled, sent thousands of miles away to the Seychelles. She never returns home. She dies in 1921. But her story doesn't end there. The Ashanti, remember. Today, Ghana honors her with a university named after her. Her statue stands in Kumasi.
This is a video of a poster or a meme video that features an actor dressed as Yaasu Naa-Ya, who appears to be Yaa Asantewa, a legendary queen known for leading the Ashanti resistance against the British Empire during the late 19th century. She's standing in front of a group of people who are also dressed in traditional African attire and are holding spears, suggesting that they represent warriors or soldiers from the Ashanti Empire. The background gives an impression of a historical scene that may depict the Ashanti Empire's confrontation with the British during the time of colonial expansion.
The text on the video says: "1900 Kumasi Ghana. The Ashanti Empire faces the British. They demand the Golden Stool, not just a throne, but the sacred symbol of Ashanti power. The chiefs hesitate. They fear British guns. Then one woman stands. Ya Asantawa, she looks at them and says, if you the men will not go forward, then we the women will. Silence fills the room. And in that moment, everything changes. She takes command. She rallies warriors, women, men, fighters, and leads a rebellion against the British Empire. For five months, they fight, ambushes, guerrilla attacks, relentless resistance. They refuse to surrender the Golden Stool, but the British push back. Ya Asantawa is captured, exiled, sent thousands of miles away to the Seychelles. She never returns home. Her story doesn't end there. The Ashanti, remember."
The video conveys a message about historical resistance and leadership, focusing on Yaa Asantewa's bravery and determination in leading her people against an oppressive force despite facing significant odds. It pays tribute to her legacy by noting the impact she had and the ongoing memory of her struggle, including the establishment of a university named after her and a statue in her honor in Kumasi. ]]></description>
<pubDate>Wed, 13 May 2026 08:05:27 -0400</pubDate>
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<title><![CDATA[Post: #NeverForget]]></title>
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<description><![CDATA[  They didn't just enslave them. They put them on a cage and charged people to watch them. 1870s to 1950s, Europe, France, Belgium, Germany, and Britain build human zoos. They kidnap or trick Africans, Congolese, and other colonized people. They ship them across the sea. They put them in cages and fake villages, Europeans buy tickets to stare, laugh, and throw food at them. In 1958, at the Brussels World Fair, Congolese families are displayed behind bars, children, point, and laugh. Parents take photos. The displayed people are forced to perform dances, some die from the cold and humiliation. The same thing happens in Paris, London, and Berlin. Hundreds of thousands pay to see primitive savages, scientists measure their skulls. Newspapers call them missing links. The organizers call it education. The truth? It is entertainment. The last human zoos close in the 1950s. Belgium apologizes decades later. France never fully apologizes. The men who organized these exhibits are never punished. Many of the displayed people die far from home. Their bodies are kept in museum as collections.
This video depicts a scene that appears to be set in a historical context, likely representing a human display of some sort, resembling those from earlier centuries where captive humans were exhibited for entertainment or educational purposes. In the foreground, there is a sign that reads "Congus" with an illustration of a person standing inside a cage, suggesting it might be an exhibit related to the Congo region in Africa. There are two individuals dressed in suits holding up cards, possibly providing information about the displayed items or engaging with the audience. The background shows what looks like a display case with skeletons or other human remains and signs indicating the type of exhibit, such as "Congolese," "The truth?" "Savage," "Newspapers call them missing links," and "France." The setting is adorned with flags and signage that hint at an event or exhibition, possibly from a bygone era, where such displays were common.
In the context provided in the transcription, it seems to be commenting on a historical practice of human zoos or human displays for entertainment purposes, which was prevalent during certain periods of history, particularly the 19th and early 20th centuries. These exhibitions involved capturing people from Africa, specifically Congolese individuals, and displaying them in cages as attractions for paying customers to view. The text suggests that while this was described as educational or scientific by those who organized these exhibits, it was more about entertainment and sensationalism rather than enlightenment or learning.
The video likely serves to critique the historical practice of using human beings in such a manner, highlighting how this is not only ethically questionable but also a form of exploitation. The caption on the right side suggests that this type of display has been largely discredited and is no longer acceptable today. ]]></description>
<pubDate>Tue, 12 May 2026 19:47:36 -0400</pubDate>
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<title><![CDATA[Post: #NeverForget]]></title>
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<description><![CDATA[  They burned a kingdom, looted its soul, and sold it for profit. 1897, Nigeria, the Kingdom of Benin, 600 years old, one of the most sophisticated civilizations on earth. The British came anyway. Soldiers marched in, torched the palace, then walked through the smoke, and took everything. 900 sacred bronze plaques ripped from the walls. Ivory tusks torn from ancestral shrines. Sacred objects stripped from every room, then auctioned in London. The money used to pay for the very invasion that stole them. Oba Ovonramwen, king of a 600-year dynasty, dragged from his burning palace in chains, thrown into exile like a criminal, for defending his own kingdom. He died in exile in 1914. Never saw his bronzes again. Never saw his home again. The bronzes went to 165 museums worldwide. The British Museum took the most. Put them in glass cases, charged people money to look at them. Nigeria asked for them back. Britain said no. Asked again. No. kept asking for 90 years. Always no. 2022. Germany returned 1,100 bronzes. One country had the decency to act. The British Museum hasn't returned a single one. Still charging admission to see them. They burned the kingdom, sold the ashes, and 125 years later are still profiting from the theft.
This video appears to be a historical or artistic representation of the famous videograph taken by Eadweard Muybridge showing soldiers, possibly reenactors dressed in period uniforms, standing in what looks like a museum setting with a display case that contains artifacts and items that might have been looted from the Kingdom of Benin. The video is overlaid with a text that provides a critical commentary on the historical event it references, specifically the sacking and plundering of the Royal Palace of Benin by British forces in 18970 during the Punitive Expedition led by General Sanctioni Bacon.
The text explains that while Nigeria (referred to as '600-year-old' in the video) was a sophisticated civilization at the time, its kingdom was burned down and many artifacts stolen by the British, with some items ending up in museums and private collections. The commentary mentions that Oba Ovonramwen, the king of Benin, was taken into exile and never saw his treasures again, while they are still displayed in various museums around the world, including the British Museum. It's noted that Germany has returned some items, but Britain still holds many of them. The video is likely meant to raise awareness about cultural heritage preservation and the repatriation of historical artifacts from colonized regions. ]]></description>
<pubDate>Tue, 12 May 2026 19:43:19 -0400</pubDate>
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<description><![CDATA[  Germany wiped out 80% of an entire people and kept their skulls for over 100 years. 1904, Namibia. The Herrero people had lived here for centuries. Then Germany arrived and took everything. Their land, their cattle, their freedom. For 20 years, they endured it. Until one day, they fought back. January 1904, the Herrero Ries settlements fall overnight. German soldiers are killed, but women and children are spared. For the first time, they take their land back. But Germany doesn't forgive. They send their most ruthless general Lothar, Vantrotha. His mission isn't to win. It's to erase them. August 1904. German troops trap the Herrero at Waterberg. Gunfire erupts. The Herrero flee into the desert. And that's when it begins. Vantrotha gives the order in writing. Every Herrero will be shot. No prisoners. No mercy. The Army doesn't chase them to capture them. They chase them to finish them. They seal off the desert. Then poison every water well. The only water for hundreds of miles. Anyone who turns back is shot. The desert becomes a graveyard. People collapse from thirst. Mothers watch their children die in the sand. Entire families vanish. And the survivors, rounded up, thrown into camps, starved, beaten, worked to death. But it gets worse. German scientists arrive. They cut off heads, boil the skulls, and ship them to Berlin for racial experiments. The skulls are displayed in museums. Used to prove that these people were inferior. By 1908, it's over. 65,000 Herrero dead. 10,000 Nama killed two. Over 80% of an entire people gone. And no one is punished. Germany calls it a victory. The general becomes a hero. The world moves on. For over 100 years, Germany says nothing. Until 2011, boxes are discovered, hidden in hospitals, museums, universities, hundreds of skulls, still labeled, still measured, still treated like objects. Then in 2021, Germany finally admits the truth. They call it genocide. 117 years later. But by then, an entire people had already been erased.
The video you've shared is a split video capturing two different scenes: on the left, we see a person holding a knife, seemingly in the process of dissecting a human skull, while standing next to what appears to be a display with several other skulls and some historical items. On the right, there's an old-fashioned black and white video showing individuals from a past era dressed in uniforms, possibly soldiers or military personnel, looking at a map or document.
In terms of your audio transcription, it seems to describe a tragic historical event related to the Herrero people, which is a reference to the Herero and Namaqua genocide that took place during the early 20th century in German South-West Africa. The transcription mentions specific dates and events, such as the beginning of the conflict in 1904, the end by 1908, and the fact that it was a genocide with 80% of the people wiped out. It also references Lothar von Trotha, who is historically known for his role in the Herero and Namaqua Genocide as commander of the German forces during World War I.
The video itself appears to be used for artistic or educational purposes, possibly to bring attention to this historical event and its legacy. The stark contrast between the present-day video on the left, which could symbolize the continued reverence for human skulls as trophies, and the historic videograph on the right, which shows the impact of war and conflict, serves to illustrate the seriousness and gravity of the topic discussed in the transcription. ]]></description>
<pubDate>Tue, 12 May 2026 19:25:20 -0400</pubDate>
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<title><![CDATA[Post: Dear white people.]]></title>
<link>https://www.blaqsbi.com/YoJ</link>
<description><![CDATA[  Dear White people, stop making everything about you and how uncomfortable you are. I honestly don't give a flying fuck about your comfort level. You have made my very existence and exercise in discomfort. It is time for you to make room at the table. Better yet, go sit in the living room. I am not here to cuddle your feelings. Not here for your amusement. No, you cannot touch my hair. This isn't a damn petting zoo. And stop coming into my office asking for the managers if you aren't already looking at one. Dear White people, Dear White people, stop telling me about this color blind society you allegedly live in. Telling me you don't see race is the race's drivel I hope you choke on. Telling me you respect me but don't see my color is like saying you have to pretend I'm not black in order to respect me. But let me assure you I am black though there are plenty of things I'm not like your sassy black friends. Stop saying, hey girl, when you see me. You ain't that slick. I hear the way you talk to Becky and Steve every day. You sound like vacation on Martha's Vineyard where you spent summers waiting in the bitter blue of the Atlantic. How I wish my toes could touch the ocean without stepping on the bones of my ancestors. Dear White teachers, why don't I know who my ancestors are? Why is only one part of my history important enough to teach and for the love of God, stop swiveling your heads every time slavery is mentioned. Newsflash, I wasn't there. And just because I'm the only black person in this class doesn't mean you can ask me to speak on behalf of my race. I believe you really care about the opinion of black students. You stop shutting down conversations because I call a white student racist. Dear White people, why do you hate being called racist more than you hate racism? Why do you listen to Tim Wise over actual black people about the black experience? Dear White people, stop using black on black crime as a reason we shouldn't be outraged by the murder of black people by white cops. If a black person kills a black person they will go to jail and that is what we call justice. If a white cop kills a black person they will get paid leave and that is what we call justice. Apparently justice is when a black body dies. Dear White people, every time we've written white people we've written it in lower case because we are tired of you capitalizing on our pain. We are angry and raw and tired and angry and raw and tired and tired and tired but we will not rest because we know the future belongs to those who prepare for it and you have been getting us ready for centuries.
The video shows a person performing on stage, speaking into a microphone and holding up their hand as if gesturing or making a point. They appear to be in the middle of a live performance. The person is wearing a red top and has dark hair. The background indicates that it's an indoor setting with stage lighting and a red backdrop. There is text overlaid on the video that reads, "Dear White people, stop making everything about you and how uncomfortable you are. I honestly don’t give a flying f*** about your comfort level. You have made my very existence and exercise in discomfort. It is time for you to make room at the table. Better yet, go sit in the living room. I am not here to cuddle your feelings. Not here for your amusement. No, you cannot touch my hair. This isn’t a damn petting zoo. And stop coming into my office asking for the managers if you aren't already looking at one. Dear White people, stop telling me about this color blind society you allegedly live in. Telling me you don’t see race is the race’s drivel I hope you choke on. Telling me you respect me but don’t see my color is like saying you have to pretend I’m not black in order to respect me. But let me assure you I am black though there are plenty of things I’m not like your sassy black friends. Stop saying, hey girl, when you see me. You ain’t that slick. I hear the way you talk to Becky and Steve every day. You sound like vacation on Martha's Vineyard where you spent summers waiting in the bitter blue of the Atlantic. How I wish my toes could touch the ocean without stepping on the bones of my ancestors. Dear White people, why don’t I know who my ancestors are? Why is only one part of my history important enough to teach and for the love of God, stop swiveling your heads every time slavery is mentioned. Newsflash, I wasn't there. And just because I'm the only black person in this class doesn’t mean you can ask me to speak on behalf of my race. I believe you really care about the opinion of black students. You stop shutting down conversations because I call a white student racist. Dear White people, why do you hate being called racist more than you hate racism? Why do you listen to Tim Wise over actual black people about the black experience? Dear White people, stop using black on black crime as a reason we shouldn’t be outraged by the murder of black people by white cops. If a black person kills a black person they will go to jail and that is what we call justice. If a white cop kills a black person they will get paid leave and that is what you call justice. Apparently justice is when a black body dies." ]]></description>
<pubDate>Sun, 10 May 2026 09:14:19 -0400</pubDate>
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<title><![CDATA[Post: Black support black.]]></title>
<link>https://www.blaqsbi.com/YoI</link>
<description><![CDATA[  people in power that are consistently condemning us literally for just having our skin. So when it comes to my brothers and sisters, I'm hoping that y'all see that y'all need to ride on this side. Ain't no other side. The ride is drunk and you have to pick a side. I don't care what God who answered to pick a damn side because they're just gonna come and say where the war is gonna come and it's gonna be black and white and gonna be no milk. It's where are you and I didn't know who's having my back and who's against me. Cause right now if you ain't black you against me.
The video is a composite of two separate videos merged together, one on top of the other. The bottom video features a woman with long hair styled in cornrows looking directly at the camera with an open mouth and expressive facial expression. She is wearing a dark-colored top. Her right hand is touching her chin while she appears to be listening or possibly about to speak. At the top of the video, there's a smaller video of a woman with blonde hair in a ponytail, appearing on a television screen, presumably from a news broadcast, where she's being interviewed. The video also contains an overlay text that reads "CONDEMING US" with a white arrow pointing to the bottom video, which is a screenshot of a text message conversation. The context provided is a dialogue about picking sides in a conflict and the importance of standing up for oneself or against oppression. ]]></description>
<pubDate>Sun, 10 May 2026 09:03:45 -0400</pubDate>
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<title><![CDATA[Post: Cant stop us.]]></title>
<link>https://www.blaqsbi.com/YoG</link>
<description><![CDATA[  Back people actually survived the Great Depression better than white sea Americans. Nobody talked about it and let me tell you. When the stock market crashed in 1929 and white sea Americans panicked, black people had already been in depression. Since the end of reconstruction, since the collapse of 40 acre promises, since sharecropping replaced slavery with a different chain, the Great Depression wasn't new for us. It was just a Tuesday because we had already been surviving in a system that was never built for us. We had to build something they didn't have, our own everything. Segregation forced us to create parallel economies. Black Wall Street wasn't just Tosla. There were thriving black business districts across the country, black doctors, black banks, black grocery stores, black farmers markets, black mutual aid societies. We grew our own food because the land knowledge never left us. Fresh out of sharecropping, our grandmothers and great-grandmothers knew exactly how to work the earth. We bartered, we preserved, we shared, we took care of each other because we knew the system wasn't going to do it. We survived because we were excluded. Exclusion forced us to build and what we built sustained us when everything else collapsed. Here's the dot that nobody wants to connect. The moment the door cracked open, the moment integration gave us just enough access to feel included in the system, we walked away from everything that kept us alive. We stopped growing our own food, we stopped building communities and economies. We stopped patronizing each other exclusively. We traded black Wall Street for a Walmart in our neighborhood. We started depending on a system that was never architected for our flourishing. And now that that same system is showing cracks again, we are the most vulnerable because we gave up our survival infrastructure for an illusion of inclusion. While all of this is happening, they're feeding us bread and circuses, entertainment, outrage, distraction, the same way Rome kept its people from noticing the empire was falling. We are so busy fighting over things that don't matter, we cannot see what is being dismantled around us. This is not an accident, this is strategy. I'm going back to what my ancestors knew. I'm growing my own food. I know my neighbors who sell eggs. I know my local markets. I patronize independent farmers. I am rebuilding the parallel economy my grandmothers never stop believing in. Not because I'm paranoid, but because I'm a pattern recognizer. And the pattern is clear. We survived before because we had no choice, but to build for ourselves. We have a choice now. The question is, are you going to make it? That's the dot. I'm girlie Muhammad connecting the dots the world needs to see. You know, here in Tubman, here to free my people. Do you hear me?
]]></description>
<pubDate>Sun, 10 May 2026 08:36:45 -0400</pubDate>
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<title><![CDATA[Post: #Project2025]]></title>
<link>https://www.blaqsbi.com/YoD</link>
<description><![CDATA[  The man who wrote the blueprint to dismantle our civil rights also got his PhD studying our ancestors. Kevin Roberts, president of the Heritage Foundation, the primary architect of project 2025, has a doctorate in African American history from Louisiana State University. And his dissertation was specifically about West African family structures among enslaved people in Virginia from 1740 to 1870. So yeah, my ancestors quite literally. He studied how our families held together in the worst conditions in human history, the kinship networks, the communal systems, the resilience that slavery could not destroy. And then he built a document full of policies that targets every single modern institution that those structures later on became HBCUs, diversity offices, voting access, public education, the social safety net, and the enforcement of civil rights. And that was not a coincidence. And I see so many comments on the original lady's video who discovered this information saying, oh, this is this is crazy amount of hate. How can you hate people this much? I need you all to understand that this was not always just about hate. This is about resources as well. See when the civil rights act passed, when the voting rights act passed, fair housing act, those were not just symbolic moments in history. They weren't just simple victories. They were not just symbolic. They were material redistributions of power, jobs, loans, schools, contracts, votes that controlled budgets, and elected officials that controlled policies. And if you don't think the concentrated white wealth felt every one of them hits, you are sadly mistaken. The Heritage Foundation was founded in 1973. 1964 was the civil rights act. 1965 was the voting rights act. 1968 was the Fair Housing Act. And then in 1973, the Heritage Foundation begins to exist. Because here's the thing that you all tend to skip over or not give them the benefit for, but these people very well understood that whiteness is a social construct, and it only has value in contrast. Baby, that's not my opinion. W.E.B. Du Bois said it himself. He called it the psychological wage of whiteness. This is documented history. It's the idea that poor working class white people were given a trade. They were told you may not have economic power, but you have status. Social status. Legal status. Status that's worth real money, real hiring access, education access, housing, lending, all of it. And it was a civil rights act that dismantled that system. It quite literally dismantled the legal architecture of that system that benefited them clearly off of the status of white that gave them that social power, that status that put them above us because of the social construct of race that only exists in contrast, but still kept them below the higher financial economic higher class. See, when the Civil Rights Act dismantled the legal architecture of that system, it didn't just threaten the wealthy white power of the people on top. It threatened the identity of millions of people whose entire existence depends on the assumption that they are above someone else. The whole sense of self is organized around the belief that they are above black people and other people of color, simply because they were born white. See, in the people at the very top, right, the people with money, the donor class, the think tanks, the people who are creating this foundation, they understood something very important, something very crucial. A black and white working class that recognizes their common economic struggles is the single greatest threat to concentrated wealth in American history. See, in every time that that coalition started to form, reconstruction, the labor movement, the poor people's campaign, every single time it was met with destruction, whether it was legislative, violent or institutional, 2025, project 2025, that is just the modern version, the most current version, the 2026 version. See, after the civil rights act succeeded, even though they did everything in their power, everything they could to stop it from succeeding, the white right, the donor class, they sat back and they looked and they said, hmm, we lost because we were reactive. They spent decades building a structure, institutions, and we need to do the same thing that they did. So they did the Heritage Foundation, the Federalist Society, the ALEC, which is a network of Christian nationalist law schools. They started placing people in positions of leadership and clerkship on school boards and state legislatures and federal judicieries, and they have been building this pipeline for over 40 years. And this is how you get a Supreme Court that guts the Voting Rights Act. Project 2025 is not a plan, it's not just a plan, it's a harvesting. They have done 50 years of planting, planting these seeds, and now we are living in the season that they are reaping the harvest, the season that they've always intended. This place always been about us. So when people kept asking, why do you make everything about race? Why? This is why. We were not reaching, we were not overreacting, we were not playing the victim, we were not just looking for somebody to blame, and I hate to say it, not really, but we told you so. We were right. They have studied us, they have documented for a long time our resilience and our strength and they built a map on how our ancestors survived. They drew out the blueprint, the schematic of everything our ancestors built to survive these systems, designed for us to fail. And once they did that, figured it all out, they spent 50 years putting in legislation to take it all apart. The oldest weapon in the book is knowledge used against the very people that you gained it from, and that's exactly what they're doing. They know our history. The question is, do we know theirs?
In the video, there is a person with a colorful headwrap and hoop earrings. They appear to be indoors, as suggested by the visible ceiling fan. The individual is wearing a top that has a pattern of what seems to be animal prints or leopard spots. The background is nondescript but gives a sense of an interior space.
The text overlaying the video includes a statement about the importance of understanding the historical context of policies and institutions, particularly those related to civil rights, African American history, and racial dynamics in America. It references a specific person who has contributed to the study of the experiences of enslaved people in Virginia and has a doctorate in this field from Louisiana State University. The text emphasizes that the understanding of these historical structures is crucial for addressing modern issues and dismantling systems of oppression.
The video seems to be used as a visual aid to accompany or complement a discussion on topics related to civil rights, history, and the social constructs of race in America. It is likely intended to promote deeper understanding and reflection on these complex historical and contemporary issues. ]]></description>
<pubDate>Sun, 10 May 2026 08:10:56 -0400</pubDate>
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<title><![CDATA[Post: Joy in the struggle]]></title>
<link>https://www.blaqsbi.com/YnN</link>
<description><![CDATA[ ]]></description>
<pubDate>Fri, 08 May 2026 21:26:32 -0400</pubDate>
<category>ShabbatShalom</category>
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<title><![CDATA[Article: Benny The Butchers Rise to Fame: A Journey of Music, Film, and Brotherhood]]></title>
<link>https://www.blaqsbi.com/Yd4</link>
<description><![CDATA[In a world where hip-hop is constantly evolving, Benny The Butcher has emerged as one of the most exciting voices in the game. With his raw, unapologetic lyrics and unwavering dedication to his craft, hes built a movement from the ground up. In this exclusive interview, we delve into his journey, from stepping behind the camera to making waves in the music industry.Stepping Behind the Camera: A Full-Length MovieBenny The Butcher is taking his talents to the big screen. In a bold move, hes set to direct and star in his own full-length film, a project that promises to be both personal and ambitious. Im about to do a real full-length movie this year, he revealed, Direct it and act in it, you know what Im saying? From top to bottom. And its going to be official. With his storytelling prowess and natural charisma, Benny is poised to bring a fresh perspective to the world of film.The Science of the Independent HustleBennys independent grind has been legendary for years, but what sets him apart from others in the industry? According to him, its all about mastering the business side. They cut the check, he said with a smile, But I learned the system. He encourages artists to get hands-on and learn the algorithm, knowing their target audience, and understanding the science behind success. With his advice, anyone can unlock the secrets of the independent hustle.The Future of Griselda: Reunions and BiopicsGriselda, the monumental trio of Benny, Westside Gunn, and Conway the Machine, has left an indelible mark on modern hip-hop. With their gritty, authentic New York rap, they brought a new wave of energy to the scene. But whats next for this brotherhood? Benny kept it real about the challenges of coordinating three massive solo careers, but hes always ready to reunite with his crew. We family, he said, We need to lock in. A reunion might be sparked by something as simple as a crazy beat pack or just being in the same room together.Looking ForwardAs Benny continues to push limits and break new ground, one thing is clear: hes not done yet. With his sights set on blending hip-hop and R&B, hes already making waves with collaborations like Tink. From independent hustler to movie director, Benny The Butchers story proves that you can celebrate your roots, uplift your crew, and keep breaking new ground—all at once.Benny The Butchers journey is a testament to the power of hard work, dedication, and staying true to oneself. As he continues to make waves in the music industry and beyond, one thing is certain: this talented artist will leave an indelible mark on the world of hip-hop. ]]></description>
<pubDate>Thu, 30 Apr 2026 22:33:33 -0400</pubDate>
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<title><![CDATA[Post: #Blaqsbi #BlackOwnedBusiness #MelaninMagic #Hairstyles #SupportBlackBusiness #CrownCare...]]></title>
<link>https://www.blaqsbi.com/XYA</link>
<description><![CDATA[#HairInspiration ]]></description>
<pubDate>Thu, 23 Apr 2026 11:59:00 -0400</pubDate>
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<title><![CDATA[Post: Trump is a joke.]]></title>
<link>https://www.blaqsbi.com/Xqr</link>
<description><![CDATA[  Hey, orange pig. America first? Oops. Oh boy, that was the slogan you sold. But bivvy's pulling strings and your vote is getting cold. We're not just fighting for Iran. Here this clear, your people reached out to us. Yeah, we got the dams here. If one nation's gonna stand against the Epstein regime's fear, it's us to the last breath we've been doing it for years. We're standing here for everyone. Your system ever wronged. No, no, no. The enemy was always you. A little bit more over-shootin' song a patriotic song I sellin' their own citizens and callin' it strong. Stillin' from your own people, makin' them bleed, takin' Text dollars just to fund your own greed Ain't waking up to the lies, the illusions of burst, you screamed America first. Now you'll put loosees first. Make Israel great again. The government is run by pedophiles. They ordered you to die for Israel. They ordered you to die for Israel. They lied to you all. It's a public ever saw the files, men the planner would shake From the level of filth and the crimes in your wake. No one to judge called you the worst, you degenerate snake. You claimed you never set foot. You went 40 plus time. You sick bastard, you cuck! We stepping up to the plate, Epstein regime got a fall. You fake Christian elites, sacrificing the ball. Demon, you talk real big for a man with tiny hands. Tiny hands, tiny things, tiny everything. We saw everything, and we're got out this month as kinda expands. No one to all those rage tweets, all those desperate rants. Overcompensating bully, y'all always causing the scene. You said you love losers, well look at your team. Your government is run by. Your government is run by pedophiles. They ordered you to die for Israel. They ordered you to die for Israel. They lied to you all.
This video depicts a digitally altered videograph featuring two characters from the animated TV show "The Simpsons, specifically Milhouse and Commodore Jebediah Springfield, placed in an environment with a political campaign theme. The scene is set up to look like a campaign headquarters or war room during an election, with various LEGO-style figurines of people standing around tables and signs.
Milhouse appears surprised and disapproving as he points towards the character dressed in military gear. Commodore Jebediah, who resembles former US President Donald Trump, is shown holding a book titled "Epstein" with an expression that suggests concern or questioning. The background includes political paraphernalia such as the American flag, a TV displaying news headlines, and decorations that are part of a political campaign setup.
The text overlay on the video contains a humorous commentary that references the real-life events surrounding the Jeffrey Epstein case and conspiracy theories related to the involvement of former US President Donald Trump with the deceased financier Jeffrey Epstein, which have been widely debated in various media. The text expresses indictment towards Epstein's actions and allegations of corruption and suggests a political agenda behind them.
It's important to note that this video is a piece of meme art and not an official LEGO product or affiliated with the creators of "The Simpsons. It uses elements from the animated series in conjunction with real-world events to create a satirical commentary on political themes, which could be seen as humorous to some viewers while others may view it as offensive or unrelated to the original content of "The Simpsons." ]]></description>
<pubDate>Thu, 09 Apr 2026 12:01:40 -0400</pubDate>
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<title><![CDATA[Post: Nuff said.]]></title>
<link>https://www.blaqsbi.com/Xle</link>
<description><![CDATA[  The image features a quote on a black background with white text: "If you still think Israel is evil, because it's because it's because it's because you are, too." This text is set against a black and white striped pattern. Below the main quote, there is a smaller phrase in quotes, which reads "It's because I'm evil, because I'm evil, because I'm evil." The font used for this quote is larger than that of the main quote, emphasizing it as an additional element within the overall message of the image. The style of the image is reminiscent of a traditional protest poster or a sign one might find at a public demonstration. ]]></description>
<pubDate>Tue, 07 Apr 2026 08:03:49 -0400</pubDate>
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<title><![CDATA[Post: #neverforget]]></title>
<link>https://www.blaqsbi.com/XfI</link>
<description><![CDATA[  Did you know that one of the most horrific acts of racial terror in American history happened in broad daylight with thousands of people watching like it was entertainment? In 1916, 17-year-old Jesse Washington, a mentally disabled black teenager, was falsely accused of assault in Waco, Texas. The trial was a complete sham that lasted only minutes, but what happened next shocked even people back then. A mob of 15,000 white spectators, including children brought specifically to watch, dragged Jesse to the town square. They built a bonfire and slowly tortured and burned him alive over two hours while the crowd cheered like they were at a carnival. The most disturbing part, people posed for photographs with his charred body. Local businesses actually printed and sold postcards of the lynching as souvenirs that people mailed to friends and family. This became known as the Waco Horror. It showed how public lynchings weren't just about killing black Americans. They were designed as community entertainment, and a way to terrorize entire black communities into submission through fear.
The video you've shared is a cover art for a comic book or graphic novel. It depicts an illustration of a historical event, specifically a scene from the 19th century where a man has been lynched by a mob of people in broad daylight. The text on the video discusses a significant and horrific moment in American history, specifically referencing the 1886 Waco Horror, an event in which Jesse Washington was falsely accused and lynched by a white mob after being accused of assaulting a white woman in Waco, Texas. This tragic event is described as both a shocking display of racial terrorism and a way to maintain social order through fear within African American communities.
The video shows a man on the stand with a noose around his neck, surrounded by a crowd who appears to be cheering or watching in horror. There are people holding items like bottles and handbags, suggesting they might have been spectators at this public event. The environment looks like an outdoor setting, possibly a marketplace or fairgrounds, with buildings and a judge visible in the background, adding to the historical context of the era.
The artwork is rendered in black and white, which could indicate that it's drawn in a style reminiscent of traditional comic book art from the late 19th century. The illustration is done in grayscale, providing a stark visual representation of the seriousness of the event depicted. The text on the video serves as a social commentary, using visual storytelling to convey the grim reality of the past and the historical impact of such acts of violence. ]]></description>
<pubDate>Sat, 04 Apr 2026 09:20:39 -0400</pubDate>
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